Cyanotypes are an analogue photography technique dating back to the 19th century, they only create blue prints, and this where the architectural term 'blueprint' comes from. The chemicals are mixed and then painted on to paper, it is a light sensitive process so this needs to be done in the dark. For these cyanotype works I use large negatives which are printed on acetate, and layer these with real objects, often flowers and grasses which come together by exposing the layered image to UV light. In the summer I use the light directly from the sun, or an exposure unit in winter. In the final steps I add brushstrokes of watercolour, bronze powders, or gold leaf to the images.

 


LEAP-sold
amora-slide-forweb
elektra-slide-forweb2
celeste-slide-forweb
horizon-slide-forweb
journey-slide-forweb
Athena higher res-ed
Athena
Cyanotype with 22 carat gold leaf, 112 x 72 cm
Original
Private Collection
Immortal sml
Immortal
Ink & cyanotype on paper. 58 cm round
Private collection
Selkie-2
Selkie
Ink & cyanotype, 58cm round
Poseidon sml
Poseidon
Ink & cyanotype, 58cm round

Submerge series with Beth Nicholas
Selkie, Immortal & Poseidon: collaboration with fellow artist Beth Nicholas, combining Beth's ink paintings on paper with my alternative photographic cyanotype technique.

i have fallen S1
Parade S1
polaris S1
lyra edition 3-6-forweb
Lyra
Cyanotype, 37 x 22 cm
Edition of 6
swarm S2
meno s1
ebony S1
Cyanotype slide2

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